“I am both very proud and excited to bring out the second volume of this recording
project dedicated to bringing the orchestral sound world of Icelandic
composers to the ears of the world. This album also represents the ongoing
wonderful collaboration between the Iceland Symphony Orchestra and Sono
Luminus. These recordings, with the orchestra sat in a circle and me conducting in the middle, have been an unusual adventure for us all; challenging and exciting at the same time. The whole team at Sono Luminus have been extremely dedicated and ambitious throughout, working hard to bring this music to recording in the best and most immersive way possible today.” – Daniel Bjarnason

ICELAND SYMPHONY ORCHESTRA, Concurrence
Can you hear a country in its music? I posed that question only a few years ago, while contemplating the five recent
orchestral works by leading young Icelandic composers that comprised Recurrence, the previous volume of this invaluable, illuminating Sono Luminus series. Pondering those pieces with a visit to Iceland still vivid in my mind’s eye, I likened aspects of the music at hand to elements of land and sky, climate and atmosphere—an approach not without merit, but surely not the sole dimension worth contemplating.


Two of the composers featured on that previous CD are also present in this second collection, Concurrence. Hearing Anna Thorvaldsdottir’s Metacosmos and María Huld Markan Sigfúsdóttir’s Oceans in close proximity, it’s hard not to consider once more the natural features of Iceland. But before you decide to approach these disparate works as paintings in sound, listen again for aspects that distinctly evoke more human dimensions
.

Thorvaldsdottir, advising performers on how to approach Metacosmos, describes her music as “an ecosystem of materials that are carried from one performer – or performers – to the next throughout the process of the work.” The piece isn’t meant to depict some specific vista, but rather to compel its participants – listeners included – to contemplate the myriad interrelations that bind us together, in space and through time. Oceans, with its gently gliding movements and ravishing plays of light and color, conjures visions of the natural world. But there’s also something ineffably human, emotional, and personal in its cinematic swells and haunting suspensions. In both pieces, despite their markedly different aspects and approaches, the sensation of a beating heart is at some point inescapable.


Ideas of human presence, interrelationship, and community come to the fore in works by Haukur Tómasson and Páll Ragnar Pálsson. Each is a concerto – one in name; both in function and spirit – yet in neither do we hear emphasized the “individual acting within (or railing against) society” dialectic encountered commonly in the historic genre.

In Tómasson’s Piano Concerto No. 2, the soloist is first among equals, a frolicsome force in continual conversation with lively choruses of counterparts, never overshadowed but also rarely isolated. The solo cello is more prominent, perhaps, in Pálsson’s Quake, but not in the sense of a single orator foregrounded against a complementary background. Rather, amid the work’s deliberate, effective tectonic judders and jolts, the soloist might well be... well, us, responding with panic and adroitness to keep pace with the rumbling, mysterious tumult all around.


Concurrence, then, points out something fundamental about Icelandic music. Works like those presented here, in magnificent performances by the Iceland Symphony Orchestra, are not merely illustrative of a fascinating, singular ecosystem, but also evoke the relationships that bond this island- nation’s inhabitants to the land, its sky, its weather—and to one another. – Steve Smith

Track List

Anna Thorvaldsdóttir

1. “Metacosmos” 13:13


Haukur Tómasson

2. “Piano Concerto No. 2” 17:01
Vikingur Olafsson, piano



María Huld Markan Sigfúsdóttir
 3. “Oceans” 9:35



Páll Ragnar Pálsson

4. “Quake” 15:33

Sæunn Thorsteinsdóttir, cello


Total time: 55:21
Release date: November 15, 2019
UPC: 053479223722

Quotes and Reviews

“This album is where to turn to hear tomorrow’s music today.”

Richard Allen, A Closer Listen

“Concurrence is just the latest in a string of releases, every one of which is essential listening for any fan of modern chamber and/or orchestral music.”

Burning Ambulance

“The excellent performances and sound engineering on this program heighten the feeling of being in a new zone of Modernism today… It seems like breakthrough music to me.”

Grego Applegate Edwards, Classical-Modern Music Review

“The tiny island nation of Iceland looms disproportionately large in the classical scene, and few composers today can conjure shades of grey and black from an orchestra with the brilliance of Anna Thorvaldsdottir”

Tom Huizenga, NPR

“ebb and flow on a cosmic scale.”

Joshua Barone, New York Times

“virtuosic and dense, yet elemental and viscerally affecting.”

James Manheim, Allmusic

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