SOME NOTES ON THE AUDIO/RECORDING PROCESS WE USED
The singular sound of “Dreamspace” comes from fusing two sonic goals. By using a number of different microphones in various positions and distances, we create a comprehensive perspective on the piano and Michael Mizrahi’s dynamic approach to performance, as well as a  realistic and life-like final “image” of the piano and Mizrahi’s playing. The listener is situated in a specific place in the performance space while simultaneously experiencing sounds that could be heard from a number of listener positions. Bringing those two goals into harmony, aiming for both a multi-perspective and realistic soundworld, is what leads to the sounds you are hearing. 

NOTES ON DREAMSPACE

Dreamspace is a destination and state of mind. 

Give dreams space.

This record gives space for dreaming.

Keep dreaming.

1 Andrea Mazzariello: Fall Down Five Times Get Up Six (2008) (9:53)

2 David Werfelmann: Suite à l’antique (2016) (12:42)

I. Prelude (1:48)

II. Pavane (2:39)

III. Two Minuets (3:42)

IV. Sarabande (2:36)

V. Passepied (1:51)

3 Mark Dancigers: For Nightfall (2022) (4:15)

4 Joanne Metcalf: The Undreaming (2019) (7:15)

I. Undreaming (2:53)

II. Celestial Clockwork (2:25)

III. Infinite Aftertime (1:57)

5 Evan Williams: The Red Devil Dreams of Numbers (2020) (7:48)

6 Yiheng Yvonne Wu: Threaded Spaces (2018/rev. 2019) (6:01)

7 Chiayu Hsu: Games (2017) (11:21)

I. Follow the Line (1:17)

II. Repeats Rock (2:12)

III. Breath (3:52)

IV. All in One (4:00)

8 Alan Shockley: study (nightsong) (2016) (3:06)

Total time: 62:21
Release date: June 14th, 2024
UPC: 053479227607

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